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The Art of the Plasterer Hardback £67.00 $134.00 Publication date 2002 368 pages ISBN 978 1 873394 51 9
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George Bankart first wrote The Art of the Plasterer in 1908. It was then re-issued, with amendments, a few years later. Now available from Donhead as a facsimile edition, this impressive, well illustrated volume offers an artistic interpretation of the way plaster was used in response to stylistic changes. Bankart was an architect inspired by the Arts & Crafts movement who cared passionately about the craft of plastering and sought to complement Millars earlier craftsmans book by producing a volume which traced the history and art of plastering throughout the United Kingdom. It explores in detail how plaster materials and methods were developed and used, giving a fascinating insight into some of the unusual substances added to plaster. For instance, he tells us that ancient stuccos sometimes contained fig juice, curdled milk, blood or beer to make them harder. The book also contains an account of wattle and dab as well as parge-work, using practical illustrated examples to give an excellent description and record of the subject. With over 400 illustrations, comprising black and white photographs and drawings of ceilings and the profiles of mouldings, this volume will be of value to craftsmen engaged in plasterwork, conservation professionals and all architects and architectural historians with an interest in this field.
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| Contents: | ||||
| Introduction v Ancient stucco-duro v The stucco-duro of the Italian Renaissance v Sgraffito or scratched ornament v Stucco-duro in England v Wattle and dab and parge-work v The English school of plasterwork v Scottish plasterwork v Irish plasterwork v English plasterwork of the later Renaissance v The eighteenth-century degeneration v The Adam brothers and their work v Modern plasterwork: Part I: Present day methods Part II: The teaching of the past: a comparison v Index to text and illustrations. | ||||
| Read the new introduction by Tim Ratcliffe and Jeff Orton | The author: | |||
| George Bankart was an architect inspired by the Arts and Craft movement, who believed that there should be no division between architects and craftsmen. Rather like Ernest Gimson, who became skilled in a number of crafts, he learned how to plaster and became particularly skilled in handworked decorative plaster. | ||||
| From the reviews: | ||||
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An impressive, well illustrated volume offering an artistic
interpretation of the way plaster work and plastering materials
developed throughout the United Kingdom. Building Conservation Journal
... his work remains as a masterly, and very readable history, admirably supported by a large number of drawings and photographs. EASA Newsletter
... an ideal publication for those seeking accuracy in historic detail, form and style. Building Engineer |
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